Fadnavis, Uddhav and Raj Thackeray Share Rare Stage, Exchange Political Jibes
K N Mishra
30/Oct/2026
What's covered under the Article
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Devendra Fadnavis, Uddhav Thackeray and Raj Thackeray shared the stage at Dadar's Savarkar Smarak for a Marathi political cartoon book launch.
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Fadnavis joked that Uddhav Thackeray had not invited him anywhere after 2019, recalling their earlier interactions before political differences emerged.
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Raj Thackeray joked about Fadnavis remaining Chief Minister until 2029, while the leaders exchanged light-hearted remarks at the cultural event.
Maharashtra witnessed an unusual political gathering on Thursday as Chief Minister Devendra Fadnavis, Shiv Sena (UBT) chief Uddhav Thackeray and Maharashtra Navnirman Sena (MNS) chief Raj Thackeray shared the same stage at an event in Mumbai. The three prominent political leaders came together at Dadar's Savarkar Smarak for the launch of a book titled Maharashtrachya Hasyaresha, which documents the history and evolution of Marathi political cartoons. The event attracted attention because of the political differences and complicated relationships between the leaders. Fadnavis, Uddhav Thackeray and Raj Thackeray have occupied important positions in Maharashtra's political landscape. Their appearance together was therefore a rare public moment, particularly when political disagreements and differences over important state issues continue to remain part of the state's political environment. However, the gathering was not presented as a political meeting or an indication of a change in political relationships. Instead, the occasion was organised around literature, art and the contribution of cartoonists to Marathi public life. The leaders shared the stage, delivered their remarks and exchanged humorous comments that brought laughter and applause from the audience. The book, Maharashtrachya Hasyaresha, has been edited by cartoonist Prashant Kulkarni. It traces the history of Marathi political cartoons and recognises the role played by cartoonists in recording political developments and commenting on public affairs. The launch provided a cultural platform for political personalities from different sides to come together. The most talked-about part of the programme was the light-hearted exchange between the leaders. Raj Thackeray made a humorous comment about Fadnavis remaining Chief Minister until 2029, while Fadnavis recalled that Uddhav Thackeray had stopped inviting him to events after 2019. The remarks were delivered in a friendly tone and turned the book launch into a widely discussed political outing. The presence of Fadnavis, Uddhav Thackeray and Raj Thackeray at one public event was notable because of their separate political positions and the history of political relationships in Maharashtra. Devendra Fadnavis is the Chief Minister of Maharashtra. Uddhav Thackeray leads Shiv Sena (UBT), while Raj Thackeray heads the Maharashtra Navnirman Sena. Their political identities, organisations and public positions have made them important figures in the state's politics. The three leaders do not regularly appear together at public programmes. Their participation in the same event at Dadar therefore became a subject of interest beyond the book being launched. The occasion also offered an opportunity to see political personalities interacting outside the usual setting of party meetings, election campaigns, press conferences and legislative debates. The event was attended by Culture Minister Ashish Shelar, who spoke about the importance of political leaders rising above their differences to support art and culture. His remarks set the context for the exchanges that followed. Shelar praised Fadnavis for accepting Raj Thackeray's invitation. He suggested that leaders should be able to come together for cultural programmes even when they have political differences. His comment highlighted the importance of keeping artistic and cultural activities separate from everyday political disagreements. Raj Thackeray responded with a humorous remark that immediately drew attention. He said he would be happy to invite Fadnavis repeatedly, provided Shelar ensured that the Chief Minister remained in office until 2029. The comment was received with laughter and applause. It combined a reference to Fadnavis's political position with the lighter mood of the programme. Rather than turning the occasion into a serious political discussion, Raj Thackeray used humour to respond to Shelar's praise. One of the most memorable exchanges at the book launch came when Raj Thackeray referred to Fadnavis's tenure as Chief Minister. The exchange began after Culture Minister Ashish Shelar praised Fadnavis for attending the programme following an invitation from Raj Thackeray. Shelar's observation was that political leaders should not allow differences to prevent them from supporting art, literature and culture. Raj Thackeray responded by saying that he would be glad to invite Fadnavis again and again, as long as Shelar made sure that Fadnavis continued as Chief Minister until 2029. The remark was clearly delivered as a joke in the context of the gathering. It drew laughter and applause from the audience and established the friendly tone of the programme. The reference to 2029 made the comment politically interesting, but the reported exchange remained light-hearted. Raj Thackeray did not use the occasion to announce a political arrangement or make a formal statement about electoral cooperation. His comment was part of the banter between leaders attending a cultural event. The remark also showed how political references can become part of public conversations even when the main purpose of a programme is not political. A book launch about cartoons naturally created an environment where humour, satire and political personalities came together. Political cartoons often use public figures, events and political statements as subjects. The presence of three major Maharashtra leaders at the launch of a book documenting this tradition gave the occasion an additional layer of interest. The most widely discussed comment from the event came from Chief Minister Devendra Fadnavis, who recalled his earlier interactions with Uddhav Thackeray. Fadnavis spoke towards the end of the programme. While thanking the organisers and praising Prashant Kulkarni for documenting the contribution of Marathi cartoonists, he also referred to the personal invitation he had received from Raj Thackeray. During his speech, Fadnavis responded to Ashish Shelar's comment about his willingness to attend programmes whenever Raj Thackeray invited him. He then brought Uddhav Thackeray into the conversation by recalling that their interactions had been different before 2019. Fadnavis said that whenever Uddhav Thackeray invited him somewhere before 2019, he would attend. He then added that Uddhav had not called or invited him anywhere after that period. His remark was delivered humorously and brought laughter from the audience. The comment became the central talking point of the event because it referred to the change in their public and political relationship after 2019. The statement was particularly noticeable because Fadnavis referred to the period before 2019 as a time when invitations from Uddhav Thackeray were accepted. He contrasted that experience with the absence of invitations afterwards. The Chief Minister's remark did not turn into a detailed discussion of the political developments that followed 2019. Instead, he used the reference to make a light-hearted observation during his speech. The comment also reflected the broader theme of the gathering: political differences can be acknowledged through humour even when the participants remain on different political sides. The year 2019 became an important reference point in Fadnavis's remarks. His comment drew a distinction between the earlier period, when Uddhav Thackeray invited him to events, and the period after 2019, when he said those invitations stopped. Fadnavis did not provide a detailed account of the political developments behind the change in invitations during his speech. The remark was limited to his personal recollection and was presented as a humorous response to Shelar's observation. Nevertheless, the reference was enough to attract attention because political relationships in Maharashtra have been an important part of the state's public debate. The interaction between Fadnavis and Uddhav Thackeray has often been discussed in the context of their respective political roles and the changing political environment. At the book launch, however, Fadnavis did not use the opportunity to deliver a political attack or make a formal allegation. His statement was framed as a joke, and the audience responded accordingly. The comment also showed the value of informal exchanges in political communication. A short remark made during a cultural event can attract public interest because it offers a glimpse of how political leaders refer to their past associations. The contrast between the earlier invitations and the absence of invitations after 2019 became one of the most memorable lines from the programme. It also provided the headline for the wider coverage of the gathering. Apart from his comment about Uddhav Thackeray's invitations, Fadnavis also made a humorous observation about the seating and speaking arrangement on the stage. He noted that Raj Thackeray and Uddhav Thackeray had delivered their speeches from the left side, while he had addressed the gathering from the right. Fadnavis used the arrangement to make a political joke. He said, "Everyone else has moved to the Left, so I have moved to the Right." The comment drew laughter from the audience. It was another example of how the leaders used the setting of the programme to make references to political positions without turning the event into a formal political debate. The joke played on the words left and right, which have both literal and political meanings. Fadnavis connected the physical arrangement of the speakers with the broader political language commonly used to describe ideological positions. The remark was brief, but it added to the friendly atmosphere of the programme. It also showed how the book's subject, political cartoons and satire, was reflected in the exchanges between the speakers. The event was focused on the history of Marathi political cartoons, a form of expression that frequently uses humour and visual commentary to discuss political developments. Fadnavis's comment fitted naturally into that setting. Fadnavis also made another humorous observation towards the end of his speech. He said that speaking last had an advantage because Raj Thackeray would not get an opportunity to respond to his comments. The statement was delivered as a playful remark. It referred to the sequence of speeches at the event and suggested that Fadnavis could make his comments without having to face an immediate reply from Raj Thackeray. The audience responded with laughter, bringing another light moment to the programme. The remark was consistent with the tone of the gathering, where political references were mixed with humour. It also showed that the speakers were aware of the public interest generated by their appearance together. Fadnavis had already referred to the stage arrangement and his earlier interactions with Uddhav Thackeray. His final comment about speaking last added another element to the exchange. The programme therefore featured several moments of political banter rather than a single formal exchange. Raj Thackeray's comment about 2029, Fadnavis's reference to invitations after 2019 and his joke about the left and right sides of the stage all contributed to the atmosphere. Culture Minister Ashish Shelar played an important role in setting the tone of the gathering. His remarks focused on the need for political leaders to come together for artistic and cultural activities despite their differences. Shelar praised Fadnavis for accepting Raj Thackeray's invitation. His observation was that leaders should be able to support cultural initiatives without allowing political disagreements to become an obstacle. The comment was relevant to the purpose of the programme because the event was organised to launch a book documenting the contribution of Marathi political cartoonists. Art and culture often provide a common platform for people from different backgrounds and viewpoints. A cultural programme can bring together public figures who may not agree on political questions but can still participate in an event that celebrates literature, creativity and artistic expression. Shelar's remarks reflected this idea. His comments also created the opening for Raj Thackeray's joke about inviting Fadnavis repeatedly until 2029. The interaction demonstrated how the event's cultural purpose shaped the speeches. Although the presence of the three leaders attracted political attention, the formal subject of the programme remained the history of Marathi political cartoons. Maharashtrachya Hasyaresha is a book that documents the history of Marathi political cartoons. It has been edited by cartoonist Prashant Kulkarni and focuses on the evolution of cartooning as a form of political and cultural expression in Maharashtra. Political cartoons have long been used to communicate opinions about public affairs through illustrations, satire and humour. They often present complicated developments in a simple visual form, allowing readers to understand and reflect on political events. A cartoon can use a single image to comment on a public statement, a political decision, a social issue or the actions of a prominent personality. The effectiveness of this form of expression often depends on its ability to combine observation, humour and criticism. Marathi political cartoons form part of the wider cultural and media history of Maharashtra. They have contributed to public discussions by presenting political developments through a distinct visual language. The book launched at Dadar's Savarkar Smarak seeks to document this history and recognise the contributions of cartoonists. Its focus is not limited to individual political personalities but includes the wider development of the cartooning tradition. By bringing together material connected with Marathi political cartoons, the publication provides a record of how cartoonists have engaged with political and cultural developments in the state. The launch event also gave recognition to the people involved in preserving this history. Prashant Kulkarni's role as editor was highlighted by Fadnavis, who praised his efforts to document the contributions of cartoonists. Political cartoons are an important part of public communication because they allow political and social issues to be discussed through humour and satire. Unlike long political speeches or detailed written commentary, cartoons often communicate their message through a single visual idea. A drawing, expression, symbol or short caption can represent a wider political situation. In Maharashtra, Marathi-language cartoons have contributed to political and cultural discussions by reflecting the personalities, events and debates that shape public life. They provide a visual record of changing political circumstances and the public response to important developments. The history of political cartooning is also connected with the development of newspapers, magazines and other forms of media. Cartoonists use their artistic skills to interpret news and public affairs, often presenting a critical or humorous view of the day's developments. A collection documenting this history can therefore serve more than an artistic purpose. It can also provide a way to understand how political events were viewed and represented at different points in time. The launch of Maharashtrachya Hasyaresha brought this contribution into focus. The gathering recognised cartoonists as important participants in the state's cultural and political discourse. The presence of Fadnavis, Uddhav Thackeray and Raj Thackeray added a contemporary political dimension to the programme. Their exchanges demonstrated how political humour continues to attract attention, even when the main subject is the history of cartooning. The rare gathering raised interest because the three leaders have distinct political identities and have not regularly appeared together on the same stage. However, the nature of their interaction is important to understand. The reported exchanges were humorous and took place during a cultural programme. There was no announcement of a political agreement, alliance or formal understanding between the leaders. Raj Thackeray's comment about Fadnavis remaining Chief Minister until 2029 was a joke made in response to Ashish Shelar. Similarly, Fadnavis's remark about Uddhav Thackeray not inviting him after 2019 was a humorous recollection of their earlier interactions. The comments should therefore be understood in the context of the event rather than treated as evidence of a political change. Public appearances can sometimes bring political rivals together for reasons that are separate from party strategy. Cultural programmes, book launches and artistic events can provide common ground for leaders who otherwise have different political priorities. The gathering at Savarkar Smarak was one such occasion. The leaders participated in a programme dedicated to Marathi political cartoons, while their exchanges added an unexpected element of political humour. The event showed that a shared public platform does not automatically indicate a change in political positions. It can simply reflect participation in a common cultural activity. The book launch became a talking point because it brought together three recognisable political personalities and produced several memorable comments. The presence of Devendra Fadnavis, Uddhav Thackeray and Raj Thackeray was itself unusual. Their political backgrounds and differences meant that even a cultural appearance was likely to attract attention. The speeches added to the interest. Raj Thackeray's comment about 2029 introduced a reference to Fadnavis's political future. Fadnavis's remark about Uddhav's invitations after 2019 brought their earlier relationship into the conversation. His joke about the left and right sides of the stage added another political reference. The fact that Fadnavis spoke last also became part of the humour, as he said this meant Raj Thackeray would not be able to respond to him. These exchanges created a series of light moments that received laughter and applause from the audience. The remarks were more informal than the statements normally associated with political rallies or official programmes. The event also attracted attention because the subject of the book was political cartoons. Humour and satire were therefore closely connected to the purpose of the gathering. The combination of a cultural occasion and political banter made the programme notable. It offered a rare opportunity to see political leaders interacting in a setting where the main focus was not electoral competition or policy disagreement. The programme at Dadar's Savarkar Smarak highlighted how art and culture can create opportunities for people from different political backgrounds to participate in a shared activity. The book launch was organised to recognise Marathi political cartoons and the contribution of cartoonists. This subject gave the gathering a purpose beyond the political identities of the leaders present. Ashish Shelar's remarks underlined the importance of supporting artistic and cultural initiatives. His praise for Fadnavis accepting Raj Thackeray's invitation reflected the idea that cultural participation need not be restricted by political differences. The responses from Raj Thackeray and Fadnavis added humour to the occasion. Their comments were directed at each other and at the political circumstances surrounding them, but they remained within the informal setting of the programme. The event also highlighted the contribution of Prashant Kulkarni in bringing together the history of Marathi political cartoons in a single publication. Fadnavis praised the effort and acknowledged the importance of documenting the work of cartoonists. For the audience, the launch offered two connected experiences: recognition of a cultural tradition and an unusual public interaction between prominent Maharashtra leaders. The gathering reflected the public interest that surrounds political relationships in Maharashtra. Even when leaders attend an event for a cultural purpose, their interactions can become significant because of their political histories and positions. Fadnavis's remark about Uddhav Thackeray not inviting him after 2019 was especially notable because it referred to a change in their interactions. The comment also showed that political history can be brought into public conversation through a short humorous observation. Raj Thackeray's remark about Fadnavis remaining Chief Minister until 2029 was another example of political references being used in an informal setting. It drew attention without becoming a formal political statement. However, the programme did not establish any new political arrangement. The leaders' presence together should be viewed as participation in a cultural event rather than a declaration of political unity. The most important purpose of the gathering remained the launch of Maharashtrachya Hasyaresha, a book documenting the history of Marathi political cartoons. The event recognised the role of cartoonists in recording political developments and contributing to Maharashtra's cultural discourse. The launch of Maharashtrachya Hasyaresha at Dadar's Savarkar Smarak became a memorable occasion after Chief Minister Devendra Fadnavis, Shiv Sena (UBT) chief Uddhav Thackeray and MNS chief Raj Thackeray shared the stage. The gathering was notable because of the political differences between the leaders, but the programme remained focused on culture and the history of Marathi political cartoons. Raj Thackeray's joke about Fadnavis continuing as Chief Minister until 2029, Fadnavis's remark that Uddhav had not invited him anywhere after 2019 and his observation about moving to the right side of the stage provided the evening's most memorable moments. Fadnavis also joked that speaking last meant Raj Thackeray would not get an opportunity to respond. The comments drew laughter and applause, creating a friendly atmosphere during the launch. The event was organised around a book edited by cartoonist Prashant Kulkarni, which documents the evolution of Marathi political cartoons and recognises their contribution to Maharashtra's political and cultural discourse. Although the rare appearance of the three leaders attracted political attention, there was no announcement of a political rapprochement or alliance. The gathering was primarily a cultural occasion that brought different political personalities together. Ultimately, the event stood out for its combination of Marathi cultural history, political satire and light-hearted exchanges. It showed how a book launch celebrating cartoonists could become a widely discussed public moment when three prominent Maharashtra leaders shared the stage and exchanged humorous remarks.Why the meeting attracted attention
Raj Thackeray's remark about Fadnavis remaining Chief Minister until 2029
Fadnavis recalls Uddhav Thackeray's invitations before 2019
The significance of the year 2019 in the exchange
Fadnavis jokes about the seating arrangement on stage
Fadnavis says speaking last gave him an advantage
Ashish Shelar highlights the importance of supporting art and culture
What is Maharashtrachya Hasyaresha?
Political cartoons and their place in Maharashtra's public life
The difference between political banter and political rapprochement
Why the book launch became a political talking point
A cultural platform beyond political differences
What the gathering tells us about Maharashtra politics
Conclusion: Humour takes centre stage at a rare Maharashtra outing
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