In a dramatic turn of events, the All Indian Cine Workers Association (AICWA) has issued an official letter to Prime Minister Narendra Modi, calling for strict action against Punjabi singer-actor Diljit Dosanjh over the controversy surrounding his upcoming film ‘Sardaar Ji 3’. The uproar began after it came to light that Dosanjh had cast Pakistani actress Hania Aamir in the horror-comedy, sparking major backlash amid heightened national sentiment following the Pahalgam terror attack, which claimed 26 Indian lives.

The film body AICWA, known for its pro-nationalist stance, released its objection through its official X (formerly Twitter) handle. In the post, it emphasized that casting an actor from Pakistan, particularly at a time when India-Pakistan relations are at a tense low, reflects utter irresponsibility and insensitivity.

AICWA's Demands to PM Modi

The association’s letter to PM Modi demands a multi-pronged punitive action against Diljit Dosanjh. The key demands include:

• Immediate suspension of all social media accounts operated by Dosanjh.

• Permanent removal of his songs and films from platforms such as YouTube, Spotify, JioSaavn, and OTT platforms.

• A complete and permanent ban on live performances by Dosanjh in any part of India.

• No association of Diljit Dosanjh with any government program, campaign, or cultural event.

The AICWA further pressed the Central Board of Film Certification (CBFC) to refuse certification to all future films involving Dosanjh. Their tweet stated, “AICWA has also appealed to the Hon’ble Chairman of CBFC (Central Board of Film Certification) to reject certification of all future films involving Diljit Dosanjh and to boycott him completely from Indian cinema.”

Mika Singh Slams Diljit Dosanjh

Popular singer Mika Singh also joined the backlash, voicing his criticism against Dosanjh’s decision. Taking to his Instagram Stories, Mika reshared a strong-worded note that read:

"Desh pehle (Country first). Guys, as we all know, the relationship between India and Pakistan isn’t going well right now. Yet some people continue to act irresponsibly. Before releasing any content that involves artists from across the border, they should think twice, especially when our nation’s dignity is involved."

His statement echoed a sentiment that has been echoed by multiple other artists and nationalists across social media in the last 24 hours.

Background of the Controversy

The controversy stems from the casting of Pakistani actress Hania Aamir, who is set to make her Indian film debut alongside Diljit Dosanjh in ‘Sardaar Ji 3’, the third installment in the popular Punjabi horror-comedy franchise. Although the makers have not issued a formal comment, the announcement and recent filming updates of Hania’s participation have sparked wide outrage, particularly after the Pahalgam terror attack on April 22 that killed 26 Indian soldiers.

In its statement, the AICWA questioned the intent and timing of the casting, pointing out that choosing a Pakistani artist amidst ongoing national trauma is highly disrespectful and unpatriotic. “There must be accountability when decisions made in the entertainment industry impact national sentiment,” the letter reportedly read.

Rising National Sentiment Post-Pahalgam Attack

The Pahalgam terror attack has left a deep scar on the collective Indian psyche. As per public discourse and political narratives, this incident should have deterred filmmakers and artists from collaborating with Pakistani nationals, especially in projects intended for wide Indian consumption.

In the wake of this incident, demands have intensified across various sections of society for boycotting Pakistani artists and content that features them. The AICWA, in particular, has long upheld this position, having previously taken strong stances against Indian artists collaborating with individuals from across the border.

What This Means for ‘Sardaar Ji 3’

With the AICWA’s appeal to the CBFC to block certification of Sardaar Ji 3 and its request for a national boycott, the future of the film now stands at a critical juncture. The move could potentially derail the film’s release schedule, distribution plans, and digital rights. It may also jeopardise Diljit Dosanjh’s public engagements and future collaborations if the demands are heeded.

Industry analysts suggest that public pressure and political sentiment could heavily influence the outcome. If CBFC and the Ministry of Information and Broadcasting act on AICWA’s plea, this might become a landmark moment in the enforcement of cultural boycotts in Indian cinema.

A Larger Message?

This episode reflects a larger ideological clash between creative liberty and national accountability. While artists defend their choices citing freedom of expression and artistic freedom, critics argue that responsible filmmaking should also consider national emotions and diplomatic context.

In the post-Pahalgam climate, associations like AICWA believe it is high time for cultural gatekeeping mechanisms to ensure that films and content uphold the integrity of national sentiment.

Final Word

As the situation continues to evolve, all eyes remain on how the government, CBFC, and production studios respond to this growing demand for action. The Diljit Dosanjh Sardaar Ji 3 row has not only highlighted the fragility of India-Pakistan artistic ties but has also opened up intense debate about ethics in casting decisions, especially during times of national grief and cross-border tension.

Whether or not the Indian film industry aligns with the demands of AICWA and other prominent voices will likely determine how future collaborations with Pakistani artists are viewed — both by regulators and the Indian audience at large.

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